Tuesday, February 22, 2011
Moonrise at Twilight at the Beach in the Snow: You Must Believe in Spring
Anyway, after I'd discovered Talia and spent an hour or so shooting photos of her (including a kind of nice series of depth of field studies that I may use in a book--provided I can get her to sign a release), I started to pack up and as always happens to me, I turned around to see a really fascinating view. It seems that whenever I'm about to leave and I'm just looking forward to putting the gear away and taking a ride, a shot pops up. Who am I to turn away? This is not a great shot in terms of composition (and I was standing on an ice field when I shot it and just hoping to keep my balance) but it had a lot of interesting exposure challenges: it was twilight, there was a full moon rising, the foreground was mostly snow and, oddly enough, there was a sunset going on behind me. Since I've been working on a book about exposure (an update of my book Exposure Photo Workshop: Develop Your Digital Photography Talent), I decided to accept the challenge. Even though I'm not crazy about the shot, I think the mix of exposure challenges was fun to play with and it looks very much as I saw it: snow and sky bathed in twilight and the warm moon rising. (The shot was made at ISO 1600, by the way, so you will see some noise in the sky--but I thought it was minimal considering the low light.)
And, interestingly, I think this shot will remind me of the day the ice broke: the day that I could finally see spring in the light of the first full moon I'd noticed all winter. I think I heard spring talking to my soul in the moonlight, saying "Remember me?" And trust me, after this winter, my soul needs spring. Yours does too, probably. So, get out, find a pretty end-of-winter scene and let winter go. Wave it goodbye and wish it well. It's less than 30 days to spring: my neighbor told me the daffodils are coming up under the snow. I haven't seen them, but I believe her.
(The photo was made with a Nikon D90 body with an 18-70mm lens and exposed 1/50 at f/4.2, ISO 1600 and exposed in RAW.)